Another pastel painting ffrom that book, "30 minute Pastels". This time a subject I have historically had problems with. I seem to manage well with aerial perspective - colours are my strongest point but put in any recognisable feature such as the fields here and I never seem to satisfy my own standards. I must admit that I tend to shy away from these sort of subjects and perhaps that is why I am still doing the same things wrong.
The new painting is basically an image of fields, distaant hedges, a track and a few dwellings, the red roofs of the buildings amongst all those yellows and greens is what attracted me to it; this is it:-
As I said this doesn't seem to feel right, I have done this type of scene as in this sketch book page of a view from a hotel we use on Cleeve Hill, in the Cotswolds:-
This at least looks to me as if it is drawn to scale, Maybe I shold persevere and do a lot more distant views. Anyway, here are a couple of details from the painting from the areas of the buildings. Did you notice the tiny red roofs at the top of the far hills - in the center of the horizon?
Youo can see in these details the texture I achieve with the side of the pastel, there are at least two greens in the fields in the lower image, with an added touch of a yellow. One point is that the details may be too detailed for distant objects and do not fit in with the overall effects of less detail with disstance. Again more practice and analysis.